Thoughtfully curated volumen that situates Kruger’s practice within decades of shifting cultural and political discourse. The publication includes Gary Indiana’s incisive 1999 essay, written with his characteristic sharpness and wit; Miwon Kwon’s foundational analysis of Kruger’s relationship to site, architecture, and institutional critique; Natalia Grabowska’s analysis of Kruger’s transformation of text into an architectural and special intervention; and a new conversation between Kruger and curator Lehka Hileman Waitoller, offering fresh insights into Kruger’s evolving engagement with language, media and power.